I arrived at the cemetery overlooking the confluence of the Juniata and Susquehanna Rivers in search of a famous person buried in the sacred grounds. I had never heard of this person prior to receiving an email from Ryan. It was his email that brought me to the Duncannon Presbyterian Cemetery in search of Marie Doro, a famous actress who rests on the sacred piece of land.
From the location, I could see the Susquehanna River and the flowing traffic on Route Route 322 on the opposite side of the river. The wind began to pick up and I pulled my jacket tighter as I turned to view the grave that stood a couple steps from the roadway. The simple stone slab that covered the grave of Richard Stewart was flanked on the right by his wife, Virginia, and on the left by his daughter, Katherine. The faded urn-like marker of Katherine has chiseled beneath her birth name another name that is barely visible: Marie Doro. The second name was one that, had I not looked it up, would have been easily overlooked and possibly ignored on a normal visit.
The simple marker marks the final resting place of a local girl who made it big in the world. Marie was described as a small woman, with dark eyes and brown hair, She was admired not only for her beauty, but for her intelligence.
Marie Doro was born Marie Katherine Stewart on May 25, 1882 in Duncannon. She was the only child of Virginia (Weaver) and Richard Stewart, and was a direct descendant of Patrick Henry. Shortly after her birth, her family moved to Kansas City.
One of Marie’s first public performances was on the stage of the Coates Opera House in Kansas City. The exact role seems to be in debate. Some sources state that it was the role of Little Eva in Uncle Tom’s Cabin, while other sources state her first role was in a play written by a local playwright. Note: Now I must divert my story for a moment. The Coates Opera House was a first-class theater – in fact the first theater in Kansas City. It was founded by Kersey and Sarah Coates who left their home in Lancaster, Pennsylvania in 1856. Kersey opened a bank, built the Coates House Hotel, erected an opera house to bring first class entertainment to the city, invested in real estate, and was among those responsible for bringing the railroad to the city. The Coates Opera House burned to the ground on January 31, 1901 and sadly would not be rebuilt.
In 1892, Marie’s parents divorced as her acting career was just starting. Her parent’s would take turns traveling with her until 1898, when Marie moved to New York City, where she began to refine her acting abilities. In 1901 she made her breakout as an actress playing Cora in the risqué Naughty Anthony. The following year she would take on the role of Rosella Peppercorn in The Billionaire. This performance caught the attention of Charles Frohman. Frohman was a noted theater producer and had developed the careers of many theater actors and actresses – Marie was soon being managed by him.
In 1905, Marie would play Clarice Marland in Clarice. The lead male role was William Gillette, who wrote the play especially for Marie. She would follow her performance in Clarice with the leading role in Sherlock Holmes, opposite Gillette. Note: William Gillette’s version of Sherlock Holmes is the version most think of when the literary detective is mentioned. It was Gillette who gave the detective his deerstalker cap.
1915 would be the year of change for Marie. May 7, 1915, Charles Frohman perished during the sinking of the RMS Lusitania. The same year she would marry Elliott Dexter, also an actor, but the marriage would end almost immediately and she never remarried. She would also leave the theater stage in 1915, pursuing a career in film.
She signed with Adolph Zukar and made her first film, The Morals of Marcus, based on the play she performed in years earlier. Marie would make eighteen films in her movie career, but sadly most of her early films would be lost – only six of them remain.
Marie was still a leading actress in Hollywood when she stopped acting. The exact reason for her departure is not known, but most agree she became disillusioned with Hollywood and left the movies in 1924. In fact, she left America all together. She moved to Europe where she made a couple of movies in Italy and the United Kingdom.
After the death of her father, Marie returned to the United States in 1932 settling in New York City. Her return to America marked a change in her personality. She entered the Union Theological Seminary in New York City where she studied spirituality.
Her last years were spent mostly in seclusion. She would often go on “retreats,” though exactly where she went and what she did during them remains a mystery. She would go out of her way to avoid not only journalists, but also the people she once called friends.
Note: While the reasoning behind this self exile has never been solved, there has been a theory put forth that would explain Marie’s strange behavior. Two of her closest friends were Maude Adams and Mercedes de Acosta, both noted for their lesbian relationships. Her marriage and immediate divorce, and these friendships, hint that maybe Marie herself was fighting feelings for the same sex. Although this theory exists, and is the one most believe is a major factor in Marie’s life, the truth of her sexuality, or to the reasons behind her self exile, will probably never be known.
Marie passed away from heart failure on October 9, 1956. For the first time since she had left as a child, Marie was returned to her hometown of Duncannon and was laid to rest next to her father. On February 8, 1960, Marie was awarded a star on the Hollywood Walk of Fame for her contributions to the motion picture industry.
In her lifetime, Marie was more than just an actress. She was a songwriter, singer, and a noted authority on Shakespeare’s sonnets and Elizabethan poetry. Those who did have a chance to talk to her state she was a brilliant conversationalist, knowing and passionate about the subjects she talked.
As I stood there paying my respects, my mind drifted to another piece of gossip I had managed to find during my research. While much about her father’s life has appeared in the newspapers, very little about her mother’s life has appeared in the newspapers of the time. A brief article in the June 19, 1910 edition of the New York Times mentions that Marie’s stepfather had shot and killed himself, so it is known her mother remarried.
Note: The marker on the right side of Richard Stewart’s grave, has her mother’s name on it, but with no death date. While I do not have the information at this time to back my theory, I do not believe Marie’s mother is actually buried in the family plot.
I finished paying my respects and knew it was time to move on, leaving them to stand watch over the river flowing past far below.
6 thoughts on “Marie Doro: A Forgotten Actress”
I am curious to what actually happened to her mother. The grave has her name but no date of death. I can find no other info on her or her family (Weaver). Is she actually buried there? I am from Duncannon and have known about Marie for years but just recently became interested by finding out that she had an aunt with the same last name as mine, though I think no relation as my father and his side of the family were not local. My mother grew up in Duncannon. I just find it odd that her mother has no date of death on her stone.
I did some digging through newspapers today, but was not able to find anything. Marie’s Stepfather was “H. Rhoden” from Austria, not “H.R. Hoden” as many US newspapers reported. “The Perry Review” dedicated Volumes 37 and 38 to Marie’s life, but it has nothing in it about her mother.